In close contact with Naomi
Ciao and welcome to this second and final part of my creative exercise modelshoot, made in Milano, with the extraordinary model Naomi Momsen.
Naomi’s colors in free-lensing tecnique 1; ph: Francesco Coppola
Take a camera, slightly detach the lens, and tilt it while keeping it close to the camera body. This technique creates special effects similar to those achievable with Large Format cameras.
Naomi’s colors in free-lensing tecnique 2; ph: Francesco Coppola
The most visible effect is the strong blur, with only a small part of the subject relatively in focus.
Naomi’s colors in free-lensing tecnique 3; ph: Francesco Coppola
The second most evident aspect of applying this technique in portrait photography is that the lens, used in this way, loses its ability to focus at infinite distances. As a result, only close-up images can be captured (or at least that’s what my current creative and artistic experience tells me).
Naomi’s colors in free-lensing tecnique 4; ph: Francesco Coppola
Perhaps a side effect is that the minimum focusing distance of the lens improves, meaning it can focus closer than in normal use. To be sure, I should take a measuring tape and experiment. But is it important? No, absolutely not. However, if anyone has more technical insights about this technique, they are more than welcome to share.
Interval with a In Camera Movment Portrait; ph: Francesco Coppola
Another experiment I conducted during this shoot was using my "bottle bottom" ‘80s Seimar 80-200mm f/4.5-5.6 lens. I tested long exposure shots while the model moved.
Naomi’s colors in free-lensing tecnique 4 ph: Francesco Coppola
We conclude with one last free-lens portrait. After all, with eyes like Naomi’s, what else could I do? I seized the opportunity, diving into that fascinating blue—what about you?
And so, this experience with Naomi comes to an end—one big creative exercise that enriched me with hands-on knowledge for future and more business-oriented model shoots.
A quick reminder: my first sale campaign of fine art giclée prints on archival paper, featuring my first three published magazine photos, is currently ongoing. The sale lasts only until April 9th—after that, the images will be removed from my site and the internet. Two sizes, two prices.
Also, don’t forget that I have an active weekly mailing list where you can get exclusive previews and updates on my art photography projects, publications, and more.
Stay safe, stay creative!